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S I L E N T    F I L M S
The Unknown (1927)
   
  Scored in 2010 and performed during 2010 at the sold out Alamo Ritz (Austin) , Alamo Lake Creek (Austin), SxSW Film 2010, Fort Worth Museum of Science and History, and KUHF's silent film series at Discovery Green (Houston)

The Unknown, directed & co-written by Tod Browning (known for directing 1931 version of Dracula) is one of the great silent psychological drama films of all time.  Alonzo (Lon Chaney) is a criminal on the run and an apparently armless knife thrower in the circus who uses his feet to encircle Estrellita (Joan Crawford) with blades.  Estrellita (she fears men's arms) allows herslef to fall in love with Alonzo (who really does have arms).  Alonzo who loves Estrellita goes to the hospital and has his arms amputated, while Malabar is curing Estrellita of her fear of men's arms.  Then,an armless Alonzo tries to have Malabar killed during a circus act.
 
 
 
DESTINY (der Mude Tod) (1921)
   
Scored in 2009 and performed during 2009-2010 at the Alamo Drafthouse Lake Creek (Austin), and at Discovery Green (Houston) as part of KUHF's silent film series.

T
his Fritz Lang film is part fairy tale and part legend.  In the film, the Angel of Death visits a small village untouched by time and takes the life of a young woman's lover.  When he leases the old cemetery in the village, the young woman pleads with Death to return her fiance.  Death agrees to return her lover only if she can beat him in one of three situations.  Her three chances take her to Italy, the Middle East and China making for some interesting musical opportunities.  (Please note that a proper recording of the soundtrack has not been made and the clips above incorporate rehearsal recordings.)
Destiny was a much, much easier effort than "Aelita, Queen of Mars".  Though Bill and Josh still spearheaded the writing of the material, Phil, Adam and Louie all joined in creating the spooky, world-influenced score.  Like most German works from this time, the story is much more cohesive than many of Europe's early silent films.  It is one of only eleven German silent films considered to be in the (USA dominated) top 100 from this era.
 
 
AELITA QUEEN OF MARS (1924)
   
In 2006, we re-scored our first silent film for Austin's Alamo Drafthouse.  Aelita pre-dates Fritz Lang's classic Metropolis and has been speculated to be the first full length science fiction film!  It's rather amazing that it could be made in 1924 Russia. A young Russian scientist  dreams of traveling through space and meeting Aelita, the queen of Mars.  The film is his story of making that dream a reality and the consequences that follow.  As much a propaganda piece as it was a work of science fiction, Aelita is really post-Bolshevik Revolution eye candy.  Its scenes from Mars are quite imaginative.

In August, 2006, before retiring Aelita to the vaults, Josh produced a recording of the NEARLY the entire score (about 30 seconds are missing) in his house which was co-engineered by Bill.  Tommy did a fantastic job with this.  He played the whole thing with a recording of midi (digital) instruments in order to perfectly sync the score to the film later.  All the other instruments were added later.  Rick set soundtrack to the film and Bill owns the only known DVD in existence.
 
 
C U R R E N T    F I L M S
In 2005, Josh, Bill and Rick attended a meeting at the University of Texas' film department where several composers (including our pal Ian Varley) presented their works before a room of student filmmakers in need of music.  Kai Salim was in attendance and immediately asked Josh, "You guys have never done music for a film?!"

Listen to the Invincible Czars music and you'll see why Kai was surprised that the group had never scored a film - it's as if the music was made to accompany a motion picture.

The Invincible Czars are available to score films of any length.  Contact the group if you're interested.

 
 
Taco! Taco! Taco! (2009)
Written and directed by John Estrada, the script for this film won a Latino filmmakers' contest and was funded by HBO and tells the story of two competing taco stands. 

The all latin music based score features Leila Henley, Phil Davidson, Louis Landry and Josh Robins plus special guest trumpeter Brent Baker.  It includes a Morricone-esque version of Wagner's "Ride of the Valkyrie" and the song "Taco! Taco! Taco!"  which seems to get stuck in the heads of everyone who hears it.  The music was all created by Josh except the pieces that were improvised by the band. 

The film debuted and was well received at the New York International Latino Film Festival in 2009.
 
 
GOD THINKS YOU'RE A LOSER (2009)
The Invincible Czars' version of Tchaikovsky's "Russian Dance" (The Nutcracker Suite) appears in the film.
 
 
BI-DEFINITION (2008)
This film was written by Dustin Will and Doug Long but was directed by Kai Salim.  Kai enlisted Josh to score the film and the two created an soundtrack that is 90% vocal with almost no traditional singing.  Grunts, huffs, puffs and squeals abound in this film about bi-sexuality.

Josh performed and recorded the entire score solo with voice, electric bass, dumbek, tambourine, afuche cabasa and samples. 

In 2009, "Bi-Def" was warmly received at LA's OUTFEST and will also be screened at AGLIFF in Austin.
 
 
  SEX RECONSTRUCTED (2006)
"SexRec" was the Czars' first foray into scoring music for new film works.  Kai Salim created a piece of true eye candy and Czars' czar Josh Robins was charged with making music to complement the piece.  In spite of his excellent sense of all things film, Kai still insists that the music Josh has provided for his films actually outdo the visuals.   

This soundtrack featured Invincible Czars Phil Davidson, Bill Petersen and Rick Redman (and Josh, of course) among other players such as Charlie Jones (drums), Eric the Butcher (string bass) and Maurice Chammah and Jason Elinoff (strings).

The song "Paradise is Not So Far Away" was written specifically for the film and was later performed live by 12 piece ensemble at the Golden Hornet Project's first annual Big Band concert in October 2007 with a highly memorable vocal performance by Josh (singing both the male and female parts).